JUXTAPOZ 12 AUSTRALIAN GRAFFITI and a dotted line for

and a dotted line for you to cut along so that you could see the pages that were "too hot" to be left unsealed

conceptually and practically

Momentum: Leave me alone by Sadie Stein – Getting up is dying out

though the quality of the photos is understandably variable (after all

JUXTAPOZ 12 AUSTRALIAN GRAFFITI and a dotted line forJuxtapoz Vol. 3 No. 4 captures the magazine in full late 90s underground bloom, balancing lowbrow art, urban decay, animation culture and social commentary with its usual beautifully unstable energy. The issue opens with Vertical Space Race, a look at skyline pollution and visual overload in modern cities, before diving into a stacked lineup of artists operating far outside traditional fine art comfort zones. Derek Hess brings raw emotional violence